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As a bildungsroman, Great Expectations presentsthe growth and development of a single character, Philip Pirrip,better known to himself and to the world as Pip. As the focus ofthe bildungsroman, Pip is by far the most important character in GreatExpectations: he is both the protagonist, whose actionsmake up the main plot of the novel, and the narrator, whose thoughtsand attitudes shape the reader’s perception of the story. As a result,developing an understanding of Pip’s character is perhaps the mostimportant step in understanding Great Expectations.
Because Pip is narrating his story many yearsafter the events of the novel take place, there are really two Pipsin Great Expectations: Pip the narrator and Pipthe character—the voice telling the story and the person actingit out. Dickens takes great care to distinguish the two Pips, imbuingthe voice of Pip the narrator with perspective and maturity whilealso imparting how Pip the character feels about what is happeningto him as it actually happens. This skillfully executed distinctionis perhaps best observed early in the book, when Pip the characteris a child; here, Pip the narrator gently pokes fun at his youngerself, but also enables us to see and feel the story through hiseyes.
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As a character, Pip’s two most important traits are hisimmature, romantic idealism and his innately good conscience. Onthe one hand, Pip has a deep desire to improve himself and attainany possible advancement, whether educational, moral, or social.His longing to marry Estella and join the upper classes stems fromthe same idealistic desire as his longing to learn to read and hisfear of being punished for bad behavior: once he understands ideaslike poverty, ignorance, and immorality, Pip does not want to bepoor, ignorant, or immoral. Pip the narrator judges his own pastactions extremely harshly, rarely giving himself credit for gooddeeds but angrily castigating himself for bad ones. As a character,however, Pip’s idealism often leads him to perceive the world rathernarrowly, and his tendency to oversimplify situations based on superficialvalues leads him to behave badly toward the people who care abouthim. When Pip becomes a gentleman, for example, he immediately beginsto act as he thinks a gentleman is supposed to act, which leadshim to treat Joe and Biddy snobbishly and coldly.
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On the other hand, Pip is at heart a very generous andsympathetic young man, a fact that can be witnessed in his numerousacts of kindness throughout the book (helping Magwitch, secretlybuying Herbert’s way into business, etc.) and his essential lovefor all those who love him. Pip’s main line of development in thenovel may be seen as the process of learning to place his innatesense of kindness and conscience above his immature idealism.
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Not long after meeting Miss Havisham and Estella, Pip’sdesire for advancement largely overshadows his basic goodness. After receivinghis mysterious fortune, his idealistic wishes seem to have beenjustified, and he gives himself over to a gentlemanly life of idleness.But the discovery that the wretched Magwitch, not the wealthy MissHavisham, is his secret benefactor shatters Pip’s oversimplified senseof his world’s hierarchy. The fact that he comes to admire Magwitchwhile losing Estella to the brutish nobleman Drummle ultimatelyforces him to realize that one’s social position is not the mostimportant quality one possesses, and that his behavior as a gentlemanhas caused him to hurt the people who care about him most. Oncehe has learned these lessons, Pip matures into the man who narratesthe novel, completing the bildungsroman.
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Dickens wrote and published Great Expectations in 1860-1861, and though the novel looks back to an earlier time (1812-1840), the period of composition itself is noteworthy. England in 1860-1 was.